The Genres that Scare Me

I spend a fair amount of time talking about the importance of diversity in our stories and reading culture. I fully support the #WeNeedDiverseBooks movement. I’ve made a commitment to increase the diversity of my own reading, both in terms of authors and characters.

I read two posts over the past couple of weeks which spin the idea of diverse reading in a slightly different direction:

I Can’t Even with Librarians Who Don’t Read Diversely by Molly Wetta (posted on Bookriot, August 12, 2016)

Call to Action: Get Out There and Read Something You Are “Afraid” Of by Becky Spratford (posted on RA for All, August 22, 2016)

Normally, we talk about diverse books in terms of the ethnicity and cultures of characters, authors, and story traditions. What speaks to me about the two articles linked above is the call to increase the diversity of the genres I read. The call to “read outside [my] own taste and interest” (from Bookriot), to read things I dislike or that scare me to try (as per the RA for All post).

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Diverse Books for My Kids

The Snowy Day by Ezra Jack Keats — *The Snowy Day* by Ezra Jack Keats
Viking Press, 1962

Please read this article from Rumaan Alam. What he has to say is essential.

We Don’t Only Need More Diverse Books. We Need More Diverse Books Like The Snowy Day.
by Rumaan Alam (published by Slate, August 2, 2016)

We need diverse books to be sure, but those must be part of a literature that reflects our reality, books in which little black boys push one another on the swings, in which little black girls daydream about working in the zoo, in which kids of every color do what kids of every color do every day: tromp through the woods, obsess about trucks, love their parents, refuse to eat dinner. We need more books in which our kids are simply themselves, and in which that is enough.

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Childhood Memory: Found

The Trigan Empire by Mike Butterworth & Don Lawrence — *The Trigan Empire* written by Mike Butterworth & artwork by Don Lawrence
Chartwell Publishers, 1978
(inside title page)

Without further ado, I present my long lost childhood memory:

The Trigan Empire, written by Mike Butterworth with artwork by Don Lawrence.

This is definitely the book my siblings and I read as kids. As fragmentary as my memories of it are, I was shocked at how familiar it felt to read through it again as an adult. I found that I remembered almost every page as it was revealed to me. And I was delighted to discover that the copy I received via ILL came from a public library in my home state. Seems appropriate.

The Trigan Empire was a comic that ran from 1965 to 1982, published in Britain by Fleetway, with Butterworth and Lawrence as the primary writer and artist. It ran as a serial installment in an educational magazine focused on science. The hardbound novel-length book my siblings and I read was an omnibus collection of the earliest stories from the comic, published in the United States in 1978 by Chartwell.

What’s it about?

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Book Review: Everfair by Nisi Shawl

Cover of the book Everfair by Nisi Shawl — *Everfair*
by Nisi Shawl
Tor, 2016

This review was first published by Booklist in August, 2016.

Shawl’s first novel offers a steampunk-influenced alternate history of the Belgian Congo from 1889 to 1919. It envisions what would have happened if Fabian Socialists from Europe and African American missionaries had purchased land in the Congo from King Leopold and established a free state made up of native Africans, freed slaves, European settlers, and even Chinese laborers. Told from the perspectives of several different characters, it touches on themes of colonialism, sovereignty, religion, prejudice, sexuality, and identity. It is structured episodically, with each chapter offering a snapshot from the lives of the characters and the history of Everfair; some chapters could almost stand on their own as short stories. Taken together, these snapshots weave an engrossing tapestry of the history and humanity of what might have been for the Congo. The work is elegant, rendered with masterful craft in simple, compelling language—a tour de force of Shawl’s tremendous ability to create deeply nuanced characters. This is a beautifully told, important entry in the movement for greater diversity in sf.