In advance of my annual “Year in Reading” summary, I thought I’d post a list of the books I read this year that I liked least. Or, more accurately—the books that disappointed me the most. Because reading isn’t just about what you like—it’s about what you don’t like, too.
Inclusion on this list doesn’t necessarily mean the book is bad. There are titles here which are very good—they just weren’t my thing. Some titles make this list because I had hoped for more from them. Other titles are on this list because I genuinely believe they’re poor work.
This is not a definitive ranking. Titles are listed in alphabetical order by author.
There have been several reports over the last few weeks identifying a rise in incidents of hate speech, racist graffiti and slogans, and acts of violence toward members of various minority groups throughout the country. Several libraries have been targeted—books and buildings have been defaced with swastikas, racist, sexist, homo- and transphobic epithets, explicit threats of violence toward minority groups, etc.
Libraries are targets because we stand at the vanguard of promoting inclusion and diversity. We seek to empower the disempowered, to give voice and provide access to all individuals and groups within our community. We hold as a core value that no one be excluded from the tools and services we offer, that no one be silenced or impeded from equal participation in our community. Libraries function as a safe space for anyone who needs it.
Libraries pose a great threat to those who seek to exclude all those who are different from them.
Libraries hold a resolute belief in the freedom of speech and expression. This is fundamental to everything we do. How, then, are libraries supposed to handle incidents of hate speech?
On paper, there’s a lot I could criticize about The Passage by Justin Cronin.
The plot isn’t terribly original: a virus is unwittingly unleashed by the government which turns people into something very much like vampires. Mr. Cronin presents the standard well-intentioned scientist whose work is hijacked by the military (which, as expected, doesn’t go well). There’s a roster of bad guys, a cop with a conscience, and a Chosen One whose arrival can save mankind. There’s even an oracle of sorts.
It’s a man-made apocalypse story built on fairly generic story tropes. We witness the moment it all goes wrong and then spend the rest of the novel living in the post-apocalyptic world of the few survivors.
We’ve seen all this before. I Am Legend, zombie movies, The Walking Dead, et al. The ending offers a faint wisp of Buffy the Vampire Slayer. Even the hive-mind wrinkle the author incorporates into his vampires is a familiar idea.
But none of that is a problem. None of it is a weakness. None of it feels derivative. This is one of the best renditions of all these ideas I’ve read.