On November 28, 2017, the author Seanan McGuire posted an excellent tweet thread about classic SF and entry points for readers new to the genre. She addresses crucial issues of diversity and inclusion. This perspective is important. Please take the time to click through and read it.
As a community, SF fandom seems to be terrified that if we don't sit every spaceship or dragon-enthralled child dow… twitter.com/i/web/status/9…
Conclusion: classic SF will always be important but it’s not a good way to bring in new readers.
Introducing new readers to science fiction can be tricky. It’s a challenging genre to learn and get used to. I decided years ago (long before I became a librarian or knew anything about readers advisory) that it doesn’t work to get people started in the genre with classic Asimov, Clarke, et al.
I’m ashamed to admit my reasoning at the time had nothing to do with the narrow Western cultural male whiteness of the work. It was because of the writing and the science.
I was talking to my parents recently about some of the poetry I’ve written in the past few years. I mentioned how I’d developed a fascination with ways to integrate technology into poetic experimentation. I explained how much I enjoy Google search poems. I told them how I created a method of generating something akin to found poetry, using my smartphone’s auto-suggestion typing feature.
Aaron Mahnke’s Lore podcast is one of the more fascinating and informative podcasts available. He explores the world of lore: folktales and legends—usually creepy or macabre—and shares the interesting things he finds. He’s an accomplished and entertaining storyteller.
Podcasts are subject to time constraints: there’s only so much you can fit into each episode. While the stories he shares with his listeners are clearly well researched, he doesn’t go into much depth with them. And that’s OK for a podcast—the point of these stories is to share them and entertain his audience. While he occasionally asks the Big Questions (“Why are we drawn to myths and legends like these? What purpose do they serve?” etc.) he never offers much more than cursory, broad strokes answers. Again, that’s fine for a podcast—he needs to focus each episode on telling the cool stories he finds.
In the future, mankind has avoided self-destruction by a hair’s breadth. Organized religions have been outlawed. Ultrafast transportation has rendered geographical nations irrelevant. Society has been rebuilt according to the ideals of 18th century Enlightenment philosophy. The world’s most notorious criminal—serving a sentence in service to any who command—and a sensayer (a spiritual therapist and guide) discover a child who can perform miracles, with the power to irrevocably change the nature of reality itself. And a brazen theft threatens to expose secrets that could topple the world’s greatest powers.
Too Like the Lightning by Ada Palmer is a near perfect blend of science fiction and philosophy.
The Silent Corner is Dean Koontz’s version of a hard-boiled detective thriller: an off-the-books FBI detective on a personal mission, a rash of mysterious suicides, a cabal of men wielding a genuinely terrifying new technology. As always, Koontz renders his characters ably and the plot is perfectly paced. This is a tense, taut, and foreboding novel to kick off a new series.
I didn’t enjoy it at all.
There are two reasons why I didn’t enjoy this book. The first problem I have is his writing style.