The Academy has been shuttered and Priscilla Hutchins (Hutch) is adjusting to life on Earth. Humanity has become fearful of continued space exploration—there’s a growing paranoia that someday such expeditions will bring back something too dangerous. The President herself is campaigning for reelection on a platform of ending the space program.
When an astronomer discovers a signal from deep space which clearly indicates the presence of an intelligent, technologically sophisticated alien civilization, he recruits a team to seek out these aliens and Hutch is put in command. But people don’t want them to go and the team must race to take off before the government can shut them down.
Aaron Mahnke’s Lore podcast is one of the more fascinating and informative podcasts available. He explores the world of lore: folktales and legends—usually creepy or macabre—and shares the interesting things he finds. He’s an accomplished and entertaining storyteller.
Podcasts are subject to time constraints: there’s only so much you can fit into each episode. While the stories he shares with his listeners are clearly well researched, he doesn’t go into much depth with them. And that’s OK for a podcast—the point of these stories is to share them and entertain his audience. While he occasionally asks the Big Questions (“Why are we drawn to myths and legends like these? What purpose do they serve?” etc.) he never offers much more than cursory, broad strokes answers. Again, that’s fine for a podcast—he needs to focus each episode on telling the cool stories he finds.
In the future, mankind has avoided self-destruction by a hair’s breadth. Organized religions have been outlawed. Ultrafast transportation has rendered geographical nations irrelevant. Society has been rebuilt according to the ideals of 18th century Enlightenment philosophy. The world’s most notorious criminal—serving a sentence in service to any who command—and a sensayer (a spiritual therapist and guide) discover a child who can perform miracles, with the power to irrevocably change the nature of reality itself. And a brazen theft threatens to expose secrets that could topple the world’s greatest powers.
Too Like the Lightning by Ada Palmer is a near perfect blend of science fiction and philosophy.
The Silent Corner is Dean Koontz’s version of a hard-boiled detective thriller: an off-the-books FBI detective on a personal mission, a rash of mysterious suicides, a cabal of men wielding a genuinely terrifying new technology. As always, Koontz renders his characters ably and the plot is perfectly paced. This is a tense, taut, and foreboding novel to kick off a new series.
I didn’t enjoy it at all.
There are two reasons why I didn’t enjoy this book. The first problem I have is his writing style.
Artemis is the only city on the Moon. Established by the Kenya Space Corporation, it’s a series of habitable domes, filled with a mix of rich tourists and working class residents from myriad ethnic groups. It’s like the Wild West with few established laws, dominated by trade guilds.
A small bubble of life in the middle of a deadly and dangerous environment.
Jazz Bashara grew up in Artemis, the daughter of a Saudi Arabian welder with whom she’s had a falling out. An underachieving genius with a string of broken romantic relationships, she works as a low wage porter and she earns extra money on the side as a smuggler. She’s egotistical and bitter, smart and funny, strong and broken in equal measure.
One day, Jazz gets a job offer that may be too illegal even for her but which promises to pay enough to be worth it. Despite her reservations, she accepts. Next thing she knows, she’s wrapped up in a couple of murders and a Brazilian mafia family has sent an assassin to the Moon to hunt her down. To save her own life, she could end up risking the lives of everyone in Artemis.
And then there’s a new technology that holds untold riches for whoever controls it…
I’m not sure I’ve ever had a novel recommended to me more highly, more insistently, by more people, than The Force by Don Winslow.
More than one person has told me it’s the best book of the year. More than one has told me it’s the best cop novel ever written. Promo materials claim it’s nothing less than The Godfather of cop novels.
I’ve never been interested in gritty cop novels but I was eager to read this one. My conclusion, in a nutshell:
I’m not a fan of Arthur Conan Doyle’s original Sherlock Holmes stories (although I’ve read all of them at least once, some more than once, and I’ve see all of the major BBC television adaptations). I dislike Victorian literature in general.
I’m also not much of a fan of contemporary paranormal fiction—I don’t dislike it but it’s not something I seek out.
So there’s really no reason why I should like G. S. Denning’s “Warlock Holmes” series as much as I do.