Book Review: Dead Set by Richard Kadrey

Dead Set by Richard Kadrey
Dead Set by Richard Kadrey
Harper Voyager, 2013

Dead Set by Richard Kadrey wasn’t what I expected.

The basic plot summary is very much in keeping with Kadrey’s métier:

A teenage girl starts having strange dreams after her father dies. She’s in turmoil, she and her mom fallen on hard times, their life turned upside down. She discovers a record store with a room full of records which contain the lives of dead people… including her father’s. There’s an imaginary brother she relies on who only appears to her in dreams, and an underground world full of dead people, monsters and myth.

It’s the kind of dark, fantastical setting Kadrey is so good at. Literally underground, too, like most of his settings. Dead Set gives us a compelling main character, a satisfying story, and takes on important themes.

So, too, Dead Set has all the attitude and swagger, the sense of outsiderness, and it drips with a punk aesthetic.

So far—typical Kadrey.

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On Customer Service & Reference Interviews

When I went through my library & information science graduate program, I took the required reference classes and I learned the basics of how to conduct a reference interview. The idea behind a reference interview is pretty simple:

People don’t always know how to ask for what they really need.

We all frequently struggle to voice our needs properly—we say things badly, misunderstand ourselves, head down misleading paths, etc. Also, library patrons often aren’t aware of all the options and resources that are available to meet their needs—but they usually think they know what the best option is, and so come in asking for something specific without realizing that there may be much better resources for them.

When it comes to digital library services, the issue tends to be that patrons don’t understand how these systems work, aren’t fully aware of what they can and can’t do, so when a service doesn’t behave the way they expect it to, they assume that it’s broken.

As librarians, it’s our job to connect our patrons to the best resources to answer their needs. The purpose of the reference interview is to make sure we know what their need really is, so we can find the best resources for them, or teach them how to get the most out of the services we provide.

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Why I Won’t Bash Romance Novels

I recently read and shared the following article on Twitter and Facebook:

Bashing Romance Novels Is Just Another Form Of Slut-Shaming by Sarah MacLean (posted on Bustle, September 29, 2016)

Now that I’ve decided to start reading romance novels, I find that I have a desire to learn more about the history of the genre.

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Book Review: Dark Matter by Blake Crouch

Dark Matter by Blake Crouch
Dark Matter by Blake Crouch
Crown, 2016

I’ve read some truly amazing books this year. Dark Matter by Blake Crouch is probably my favorite of all of them. It’s a trip—a thriller, solid SF, mind-bending.

I had many people encourage me to read it in the months after it hit shelves. Everyone told me this book is original and mindblowing.

I admit: at first, I wasn’t sure what they were talking about. It’s a multiverse / alternate reality story. An exceptionally well-done multiverse story—much better than most—with interesting characters, high stakes, a driven plot. But the multiverse concept is pretty standard in scifi, not really original.

Then I got to the twist…

This novel is brilliant and mindblowing! I unreservedly love it! I encourage everyone to read it.

The Genres that Scare Me

I spend a fair amount of time talking about the importance of diversity in our stories and reading culture. I fully support the #WeNeedDiverseBooks movement. I’ve made a commitment to increase the diversity of my own reading, both in terms of authors and characters.

I read two posts over the past couple of weeks which spin the idea of diverse reading in a slightly different direction:

I Can’t Even with Librarians Who Don’t Read Diversely by Molly Wetta (posted on Bookriot, August 12, 2016)

Call to Action: Get Out There and Read Something You Are “Afraid” Of by Becky Spratford (posted on RA for All, August 22, 2016)

Normally, we talk about diverse books in terms of the ethnicity and cultures of characters, authors, and story traditions. What speaks to me about the two articles linked above is the call to increase the diversity of the genres I read. The call to “read outside [my] own taste and interest” (from Bookriot), to read things I dislike or that scare me to try (as per the RA for All post).

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Diverse Books for My Kids

The Snowy Day by Ezra Jack Keats
The Snowy Day by Ezra Jack Keats
Viking Press, 1962

Please read this article from Rumaan Alam. What he has to say is essential.

We Don’t Only Need More Diverse Books. We Need More Diverse Books Like The Snowy Day.
by Rumaan Alam (published by Slate, August 2, 2016)

We need diverse books to be sure, but those must be part of a literature that reflects our reality, books in which little black boys push one another on the swings, in which little black girls daydream about working in the zoo, in which kids of every color do what kids of every color do every day: tromp through the woods, obsess about trucks, love their parents, refuse to eat dinner. We need more books in which our kids are simply themselves, and in which that is enough.

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Childhood Memory: Found

The Trigan Empire by Mike Butterworth & Don Lawrence
The Trigan Empire written by Mike Butterworth & artwork by Don Lawrence
Chartwell Publishers, 1978
(inside title page)

Without further ado, I present my long lost childhood memory:

The Trigan Empire, written by Mike Butterworth with artwork by Don Lawrence.

This is definitely the book my siblings and I read as kids. As fragmentary as my memories of it are, I was shocked at how familiar it felt to read through it again as an adult. I found that I remembered almost every page as it was revealed to me. And I was delighted to discover that the copy I received via ILL came from a public library in my home state. Seems appropriate.

The Trigan Empire was a comic that ran from 1965 to 1982, published in Britain by Fleetway, with Butterworth and Lawrence as the primary writer and artist. It ran as a serial installment in an educational magazine focused on science. The hardbound novel-length book my siblings and I read was an omnibus collection of the earliest stories from the comic, published in the United States in 1978 by Chartwell.

What’s it about?

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