Black Panther: Wakanda Forever is so good! So, so very good!
But it should be much, much better. All I can see now is how far short it falls from what it could have been. I know this isn’t fair to the film and all the amazing, creative people who worked so hard on it. I don’t want to downplay what this movie achieves, but I’m disappointed.
Wakanda Forever wants to be an intimate character study. It has to be a Marvel movie. I wish it didn’t have to be a Marvel movie. The characters deserve a deeper examination than the format allows.
To be clear, I love Marvel movies. Marvel has stretched the constraints of the super-hero action movie as far as any franchise ever. They make character-driven, funny, poignant stories with genuine emotional depth, within a milieu that historically has never achieved that level of artistry. They let their creative staffs get full-on bizarre, daring and inventive, and it works. They embrace their weirdness in a wonderful way. It’s been compelling and rewarding to see this genre evolve.
But there’s only so far you can push things based on the fundamental needs of the genre. And the limits are beginning to constrict, especially for a filmmaker like Coogler.
This review was first published by Booklist on January 6, 2023.
In 1978, NASA recruited Astronaut Group 8, the first group of astronaut candidates selected to serve on the space shuttle and the first opportunity open to nonmilitary personnel. This group included the first American women, first African Americans, first Asian American, first married couple, and (unbeknownst at the time) the first gay astronaut to fly into space. NASA recruited scientists, engineers, and medical professionals, not just pilots. Members of this remarkably diverse group—known as the “new guys”—served from the shuttle’s first flight to its final decommissioning. They launched technology (including the Hubble Space Telescope) that fundamentally altered our world and weathered disasters (Bagby covers the loss of the Challenger in significant detail), political maneuvering, and bad press. Their crowning achievement was construction of the International Space Station. Much has already been written about these men and women, their successes and tragedies, and Bagby doesn’t break new ground here. But she brings together a wealth of information and crafts it into a compelling, cohesive, and complete narrative. An excellent choice for anyone interested in the history of space exploration.
This review was first published by Booklist on January 1, 2023.
It’s summer on Niflheim, and Mickey7 is retired from being the colony’s Expendable. He’s spent the last two years helping tend the rabbits. Then one day, he sees himself heading toward the reactor core. Turns out there’s not enough fuel to last through the next winter, and everyone will die unless he can get back the antimatter bomb Marshall thinks he left with the creepers. But how does he know Marshall is telling the truth? Maybe it’s a ploy to finally get rid of him. Ashton’s follow-up to his excellent Mickey7 (2022) is just as much fun as its predecessor. Readers get to see more aspects of colony life, and Ashton introduces nuances to the creepers while showing us more of their world. The Speaker is a delightful new character, offering an entertaining look at the challenges of communication and mutual comprehension. As in Mickey7, there’s substance behind the humor. At the core of this story are questions of trust and responsibility—what do you do when saving the world means you must betray an ally?
This review was first published by Booklist on January 1, 2023.
**STARRED REVIEW** The Things We Make is a heartfelt ode in praise of engineers. Hammack, a long-time engineering educator, argues that far from merely being “applied science,” engineering boasts a robust method all its own, meaningfully separate from science. He offers several compelling examples of how engineering has changed our world and pushes back against the harmful myth of the lone inventor, which too often excludes the work of marginalized individuals, and perpetuates popular misunderstandings of what engineering actually is. The book starts with a description of how, in the Middle Ages, illiterate masons who didn’t know any math managed to build Gothic cathedrals that have stood for centuries. Other examples range from the development of color photography to the creation of designer enzymes, from such marvels as the modern computer chip to the quotidian soda can. He really runs the gamut with his examples, but all of them show how engineering utilizes rules of thumb and compromise solutions to resolve real-world problems.The Engineering Method, as much as the Scientific Method, stands as one of humanity’s greatest achievements. A must-read for anyone interested in engineering or the history of technology and human achievement.
For a list of my favorite books I read this year, go here >
I read 54 books in 2022. It felt like a pretty normal year in reading, for the first time in a while. I read when I wanted to, didn’t when I didn’t, and didn’t overthink it either way, other than to reaffirm my intense dislike of Jack McDevitt. I didn’t watch much TV—my desire for visual storytelling has been subsumed by YouTube, where I follow many channels. I finally went back to a movie theater for the first time since the pandemic started. I missed seeing things on the big screen! I saw Black Panther: Wakanda Forever (so good, but it should have been so much better!)
This review was first published by Booklist on December 1, 2022.
Carissa minds her own business, living in an elevator in the Building, a structure tens of thousands of stories tall, with entire pocket universes contained on individual floors. One day, an alien shape-shifter lands on top of her elevator, pulling her into a crisis of politics, betrayal, and the looming threat of war. Thus begins a complex tale featuring fractious governments, deep mythological history, a centuries-long soap opera, and gargantuan theme parks. There are aliens, robots, artificially intelligent cloudlet computers, mind control, exploration, magic, and art. Wild Massive is one of the most singular and difficult to summarize books of the year. Moore’s characters are well rendered, and his style is a heady mixture of propulsive plot, sideways humor, and expository asides, with a healthy dose of the proudly bizarre. World building takes undisputed center stage. The Building is compelling, imaginative, expansive, and ridiculous, with a history and creation mythology as unique as the structure itself. Exploring this place is irresistible and deeply rewarding. It will leave readers hoping for more stories set in this world.
This review was first published by Booklist on November 1, 2022.
Set in 1899 New York, The Spirit Phone is a cosmic-horror, murder-mystery detective yarn in which Nikola Tesla, famed inventor, and Aleister Crowley, famed occultist, team up to save the world. Along the way, they encounter a cult, people who appear to be clones, and spiritual beings bent on destroying Earth, all centered on a new invention from Thomas Edison which aims to let people speak to the dead. Teleportation, astral projection, Edgar Cayce, a zeppelin, and Devils Tower all make an appearance. O’Keefe’s debut novel certainly serves up a unique blend of elements. He takes some anachronistic liberties, but all in service of the story. The entertainment factor alone alleviates anything that strains credulity, and the action is well paced. Perhaps most rewarding is his evocation of this time and place: new innovations were radically altering the fabric of everyday life, with modern technology like cars and electric lights commingled with horse-drawn carriages and gas lamps. It was a world made magical and strange, an ideal setting for such a strange tale.
There’s been an inordinate amount of ink spilled online about all the things that are wrong with online culture. Indeed, it’s one of the most popular subjects of online discourse. There are many ways the online culture we’ve created is toxic and amplifies the worst aspects of our nature. There are many factors which cause online toxicity, but the one I tend notice most is how so many people are obsessed with being right. And with making sure everyone knows it.
I keep seeing posts from the subreddit AITA. They show up on Twitter, Buzzfeed, lots of different places. They bother me. They’re emblematic of our need to prove ourselves right. Every AITA post is essentially someone asking for people to tell them they’re right. That doesn’t sound like such a bad thing, really, so why does it bother me?
This review was first published by Booklist on October 15, 2022.
The question of whether we’re alone in the universe is one of the most profound, and one which struggles to be taken seriously in scientific circles. It’s a question that extends beyond science into the realms of religion and philosophy. Evidence of intelligent life elsewhere would upend our understanding of our place in the universe. In his latest, Whitehouse summarizes the efforts we’ve made to search for other life in the universe, from SETI to UFO sightings, and the limitations such efforts must overcome. He assesses what we actually know about the likelihood that anyone else is out there. He also explores possibilities for what alien life might be like, an impossible question to answer, as we only have ourselves as an example, whereas life on other planets could be radically different. Finally, he examines what’s in store for the future of the universe with an eye toward whether or not life might survive. In the end, without definitive contact with extraterrestrials, any searches we make tell us more about ourselves than about life elsewhere.
This review was first published by Booklist on September 15, 2022.
This time, it starts with an alien bug eating a man’s brain. Then there’s a specter that manifests inside of John’s wall and gets sliced up. So begins an ouroboros of a tale involving cults, alternate time lines, the end of the world, and a possessed plastic toy. This fourth entry in Pargin’s John Dies at the End series is less frenetic than its predecessor, What the Hell Did I Just Read (2017, as David Wong). Within the snarky humor is an incisive commentary on social media and the state of our connected world, and a story about trauma and how people lash out when they’re hurt. It’s a story about love and how people can be better. It’s rewarding to witness how Pargin has grown as a writer. He’s less interested in the gimmick and more focused on his characters. His compassion runs deep. This isn’t just a funny tale of inept supernatural investigators; it’s a story of people struggling through pain to find a better path. Pargin offers us a welcome note of hope.