Book Review Circe by Madeline Miller

I have a difficult time imagining how any book will be able to unseat Madeline Miller’s Circe as my favorite book of the year. It’s lyrical and poetic, intimate and grand in scope, human and godly, challenging and comforting. It’s wise. It’s profound.

It fulfills all the hopes I had for Ms. Miller’s work after her astounding first novel.

Where The Song of Achilles is her reinterpretation of The Iliad, Circe is a looser, more oblique riff on The Odyssey. Told from the first person perspective of the titular character, the work spans centuries and is filled with famous characters from throughout ancient Greek lore: Titans and Olympian gods, Scylla, King Minos and the Minotaur, Daedalus, Jason and Medea, and, of course, Odysseus, Penelope, and Telemachus all make appearances. It begins with Prometheus stealing fire and ends with the aftermath of Odysseus’ death. The largest part is taken up with Circe’s relationship with Odysseus and what happens after.

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Book Review: The Long Sunset by Jack McDevitt

Cover of the book The Long Sunset by Jack McDevitt — *The Long Sunset*
by Jack McDevitt
Saga, 2018

This review was first published by Booklist on March 15, 2018.

Priscilla Hutchins is the captain of an interstellar crew sent to explore the origin of a mysterious signal from another planet. But there’s resistance to the mission, as many believe continued interstellar exploration has become too dangerous. Hutch takes off despite opposition and embarks upon a journey that will lead her to discover new artifacts, alien life, and a looming celestial apocalypse. But this isn’t an adventure story; it’s a story focused mostly on people and how we relate to one another. McDevitt (Time Travelers Never Die, 2009) offers a unique take on aliens and how civilizations might arise on other planets, an unexpected and interesting choice in the realm of space-based science fiction. The active conflict of the story is political; unfortunately, McDevitt doesn’t delve as deeply into this aspect of the story as he could. But his unique vision, the way his imagination plays across a galactic stage, and the inherent tension of an unavoidable disaster make up for it. He also introduces important new elements into his ongoing Academy series, making this a worthy read.

Some Thoughts on Libraries & Neutrality

At the 2018 Midwinter Conference of the American Library Association, the President’s Program was a panel discussion titled, “Are Libraries Neutral? Have They Ever Been? Should They Be?” There were debaters and commentators assigned to represent both sides of the argument. This debate inspired a vigorous parallel discussion among librarians and library professionals on Twitter.

I approach the issue of library neutrality from two different directions: ideology and pragmatism. Let’s start with ideology.

When we talk about neutral library spaces and services, we talk about being a place where everyone is welcome, where all views are represented, where everyone has the freedom to make their voices heard and have their needs met. As James LaRue stated for the pro side of the debate: “Everyone gets a seat at the table.”

I passionately agree with Mr. LaRue on this point: libraries should be spaces where everyone gets a seat at the table.

But these words don’t describe neutrality—they describe equality. They envision a space where everyone is equal in access, representation, voice.

The world we all live and serve in is not equal.

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Book Review: Phoresis by Greg Egan

Cover of the book Phoresis by Greg Egan — *Phoresis*
by Greg Egan
Subterranean, 2018

This review was first published by Booklist on March 1, 2018.

**STARRED REVIEW** Tvíbura and Tvíburi: twin planets locked in close orbit. Tvíbura is inhabited, Tvíburi isn’t. When an environmental crisis threatens to render life unsustainable on Tvíbura, the people there undertake a generations-long project to build a bridge to reach their twin planet and save themselves. Phoresis is an elegant, spare, evocative jewel of a novella told in three parts. We see the genesis of the project, its fruition, and the eventual outcome. The title (which means transmission) is both a literal description of the main action of the story and almost poetic in its sound. It’s an appropriate encapsulation of this book. Egan (Incandescence, 2008) offers a master class in world building—he starts with a strong, science-based idea and envisions a unique people with a vibrant culture that inhabit a complex world. It all works together to create an immensely satisfying experience. He recognizes this is a story worth telling but doesn’t try to force it to be a full novel. He tells us everything necessary with nothing extraneous; there’s tremendous depth in his brevity. In a genre dominated by series and lengthy tomes, Phoresis is a refreshing reminder that compelling stories come in all lengths.

2017: My Year in Reading

All of the data that follows was collected by me throughout the year using a combination of Google Sheets and Google Calendar. All seasonal and monthly calculations are based on the date each title was begun. Average days to read titles are based on the number of days actually spent reading each title, and not necessarily the full span from begun date to completed date.

A complete list of all the books I read in 2017 is at the bottom of this post

First things first: I’m a hypocrite.

In 2016, I wrote a post about the importance of reading more widely in genres I don’t normally read. I even posted lists of titles and swore to spend some amount of time in 2017 reading them.

I didn’t. I didn’t read any of them.

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Book Review: The Long Sunset by Jack McDevitt

The Academy has been shuttered and Priscilla Hutchins (Hutch) is adjusting to life on Earth. Humanity has become fearful of continued space exploration—there’s a growing paranoia that someday such expeditions will bring back something too dangerous. The President herself is campaigning for reelection on a platform of ending the space program.

When an astronomer discovers a signal from deep space which clearly indicates the presence of an intelligent, technologically sophisticated alien civilization, he recruits a team to seek out these aliens and Hutch is put in command. But people don’t want them to go and the team must race to take off before the government can shut them down.

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Inherent Bias in Classification Systems

December 10th is Dewey Decimal System Day. Maybe it’s only librarians who care much about it but to us it’s a big deal.

The entire history of our profession has been a quest to organize information. Sometimes organizational schemas were focused on preserving resources, on merely keeping a list of a collection’s holding, and sometimes systems were intended to restrict access. Indeed, for most of our history, knowledge institutions were exclusive and exclusionary.

But beginning with the birth of public libraries in the 1800s, we conceived the idea that knowledge should be accessible for the betterment of all people. The challenge was—and continues to be—to find ways to accomplish this goal through practical application in real-world situations, in day-to-day activities.

Melvil Dewey’s system was a massive paradigm shift. It seems like such an esoteric thing to celebrate but realize this: before Dewey’s organizational scheme, there existed no universal method for organizing collections of materials, and too many systems were obscure and overly complicated, to the point where people were often discouraged from attempting to access them.

Dewey created a system that anyone could understand and use. For the first time, people could walk into a library and find what they wanted on the shelf, or explore the catalog, without the mediation of a specialist. In a real sense, the Dewey system effectively transferred our collections of knowledge out of the hands of specialists and into the hands of the general populace. *

Still, for all my appreciation and admiration of Dewey’s achievement, when a coworker asked if I wanted to participate in Dewey Day activities at my library, my response was this:

“I have no interest in celebrating the Dewey system. It’s an archaic monument to Western superiority and colonial oppression which obscures the diversity of human cultures and silences diverse voices.”

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Classic SF & Welcoming New Readers

On November 28, 2017, the author Seanan McGuire posted an excellent tweet thread about classic SF and entry points for readers new to the genre. She addresses crucial issues of diversity and inclusion. This perspective is important. Please take the time to click through and read it.

As a community, SF fandom seems to be terrified that if we don't sit every spaceship or dragon-enthralled child down with Asimov and Heinlein and Tolkien, they will all instantly go out of print and be forgotten forever.
— Seanan McGuire (@seananmcguire) November 28, 2017

Conclusion: classic SF will always be important but it’s not a good way to bring in new readers.

Introducing new readers to science fiction can be tricky. It’s a challenging genre to learn and get used to. I decided years ago (long before I became a librarian or knew anything about readers advisory) that it doesn’t work to get people started in the genre with classic Asimov, Clarke, et al.

I’m ashamed to admit my reasoning at the time had nothing to do with the narrow Western cultural male whiteness of the work. It was because of the writing and the science.

Consider Isaac Asimov.

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Book Review: Black Star Renegades by Michael Moreci

Cover of the book Black Star Renegades by Michael Moreci — *Black Star Renegades*
by Michael Moreci
St. Martin’s, 2018

This review was first published by Booklist on December 1, 2017.

Rai brothers Cade and Tristan Sura are elite warriors dedicated to keeping peace. Tristan is destined to become the Paragon, wielder of a legendary weapon that can protect civilization from an evil empire threatening to take over the galaxy. But when Tristan dies, Cade is stuck with the weapon—and saving civilization. Problem is, he doesn’t want the job. Moreci’s debut novel is a delightful mash-up of genre tropes: a reluctant hero, swashbuckling space adventure, martial arts, an evil empire, a scrappy band of outcasts, and a sentient killer robot. It’s a loving ode to the science fiction Moreci grew up with. The pacing is fast and exciting, strong on action and generous with humor. Moreci’s writing style could stand to be a bit more sophisticated; he doesn’t fully adapt to prose from his beloved work in comics (Roche Limit, 2015). But he clearly has fun telling this story, and his joy is infectious; fans of his work in comics and the online Star Wars community will be looking for this one.

Poetry and Nonsense

I was talking to my parents recently about some of the poetry I’ve written in the past few years. I mentioned how I’d developed a fascination with ways to integrate technology into poetic experimentation. I explained how much I enjoy Google search poems. I told them how I created a method of generating something akin to found poetry, using my smartphone’s auto-suggestion typing feature.

My mom said she’d like to read my tech-based poems, so I sent her links to my first auto-suggestion poem and a Google search poem I built (both written for National Poetry Writing Month in 2016).

My mom responded to these poems with this: “Is playing with words poetry in and of itself?”

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