This review was first published by Booklist on September 27, 2017.

In the near future, the U.S. is broken apart into warring territories, the president is a tyrant, and rebellion rends the land. Immigration across all borders is restricted. Sig, a feral and fugitive young man, and Tania, a lawyer working for the government and daughter of a revolutionary, are connected by their past, and both get caught up in the burgeoning rebellion. They journey into the Tropic of Kansas, through the broken heartland of America to a flooded New Orleans, a world populated by smugglers, militia bands, monolithic corporations, and revolutionaries. Confronted by unreliable alliances and uncertain trust, they both must decide where their loyalties lie. This vision of the future is violent, unforgiving, and bleak: Cormac McCarthy meets Philip K. Dick. It’s disturbing because of how believable it is. The novel’s structure is fractured: chapters are short, with frequent jumps between characters. This gives the work an uncertain and unsettled feel and captures the fractured nature of the world these people inhabit. It’s remarkably effective. Recommended for fans of Paolo Bacigalupi and China Miéville.

This review was first published by Booklist on September 21, 2017.

David, John, and Amy are back in their third adventure (after This Book Is Full of Spiders: Seriously, Dude, Don’t Touch It, 2012), and it’s as snarky, bleak, and funny as one could hope for. The narrative starts with a high-speed car chase and never slows down, racing headlong at a breathtaking pace. Children are being kidnapped; the Big Bad is a shape-shifter; and there’s an abandoned mine, a motorcycle gang, and yet another mysterious black-cloak organization. Our heroes remain hilariously incompetent and incredibly lucky. Then things get really weird. This book is a mind-trip, messing with the characters’ heads and making the reader question reality right alongside them. These are established characters, so readers shouldn’t look for much development. It’s also a bit too fast-paced: it’s easy to miss details that need to be remembered later. Although it’s not the strongest entry in the series, it’s exciting and a great deal of fun, which is really what Wong’s fans want.

This review was first published by Booklist on September 1, 2017.

**STARRED REVIEW** Jazz Bashara grew up in Artemis, the only city on the moon. She’s a young, misanthropic, underachieving genius who side-hustles as a smuggler. One day, she takes on a job that proves too dangerous and finds herself wrapped up in murder and an interplanetary struggle for control over a new technology worth billions. This exciting, whip-smart, funny thrill-ride boasts a wonderful cast of characters, a wide cultural milieu, and the appeal of a striking young woman as the main character. It’s one of the best science fiction novels of the year—but to make it clear, Artemis is not The Martian (2011) redux. Tone, characters, structure are all very different. It’s more traditional sf and lacks the cheery novelty that characterized Weir’s famous first novel. The setting is just as detailed and scientifically realistic, but science isn’t the focus this time. Weir’s sarcastic humor is on full display, but Jazz delivers it with an anger that Watney (The Martian‘s protagonist) never had. The Martian appealed to a broad audience beyond regular sf fans, and Weir’s second novel will be in high demand, thanks to that, though it may not be to everyone’s taste.

This review was first published by Booklist on August 22, 2017.

A solar flare knocks out electrical grids and technology worldwide. Countries along the equator survive best, so Nigeria ends up with the only functional space program on Earth. With the help of a former NASA engineer, the Nigerian astronauts undertake a daring rescue operation to the International Space Station. Meanwhile, terrorists threaten the launch, and excavations unearth an ancient secret. Olukotun weaves together a broad spectrum of subjects: engineering and archaeology, culture and politics, biohacking and cybernetic animal technology, ancient tribal wisdom and magical stones. With such an original premise, the story is well-paced, with compelling characters and a subtle sense of humor. It’s particularly fascinating to witness the culture shock of an African-American man now living in his ancestral homeland. If there’s a weak spot, it’s that the proffered scientific explanation for the more fantastical elements is a bit strained. This is a solidly enjoyable dystopian near-future novel set in Nigeria, with an international cast of characters, written by a Nigerian-American author.

This review was first published by Booklist on June 7, 2017.

Sandman Slim is dead (for real this time) and abandoned in a desolate part of the Tenebrae, the land of the dead. He’s discovered by a motorized roving gang trailing destruction and death in its wake, led by a religious fanatic looking for an ultimate weapon to kill God. Slim runs into some old friends along the way. It culminates in a fight between angels at the gates of Heaven itself. And Wormwood is up to something, as always. All because Sandman Slim tried to break open Heaven. This is Kadrey’s version of a Mad Max movie laid out as a cautionary tale about religious fanaticism. It’s a fast-paced story and an ideal setting to show off more of his richly imagined hereafter. The ending puts Sandman Slim right where he most wants to be, but in the last position he ever wanted. This entry in the series is plenty entertaining, but there are a few too many coincidences to be believable. Kadrey’s social criticism is much more obvious than usual, and it hits closer to home.