This review was first published by Booklist in August, 2016.

Shawl’s first novel offers a steampunk-influenced alternate history of the Belgian Congo from 1889 to 1919. It envisions what would have happened if Fabian Socialists from Europe and African American missionaries had purchased land in the Congo from King Leopold and established a free state made up of native Africans, freed slaves, European settlers, and even Chinese laborers. Told from the perspectives of several different characters, it touches on themes of colonialism, sovereignty, religion, prejudice, sexuality, and identity. It is structured episodically, with each chapter offering a snapshot from the lives of the characters and the history of Everfair; some chapters could almost stand on their own as short stories. Taken together, these snapshots weave an engrossing tapestry of the history and humanity of what might have been for the Congo. The work is elegant, rendered with masterful craft in simple, compelling language—a tour de force of Shawl’s tremendous ability to create deeply nuanced characters. This is a beautifully told, important entry in the movement for greater diversity in sf.

[Author’s Note: I regret not giving this book a starred review. It deserved one—it was one of the most interesting and compelling SF novels of the year and I think it will take its place as in important work in the history of the genre. Sometimes the true value of a book takes time to realize.]

This review was first published by Booklist in July, 2016.

In simplest terms, this is the story of a man, Ben, who goes for a walk in the woods, gets very, very lost, and stumbles into a fantastic and monstrously dangerous realm from which he can’t seem to escape. The bizarre, funny, and haunting narrative achieves a dream-like quality, with events that feel simultaneously random and inevitable. Magary’s writing echoes the compelling lyricism of folktales, which juxtaposes surprisingly well with his sarcastic sense of humor. More than anything else, this novel may remind readers of classic adventure computer games like King’s Quest. The main character is faced with an arbitrarily circumscribed world and limited options, and the story unfolds in ways that are strange and disturbing. Just like those old computer games, it has an addictive quality; you need to know what’s going to come next. The book stumbles a bit at the end, trying too hard to be philosophical, and there’s a last-second twist that’s harmless but also unnecessary. Otherwise, an engrossing and imaginative read.

This review was first published by Booklist in July, 2016.

Earth survived the attack of the first Formic scoutship. But can the heroes of that first invasion save humanity from the full fleet that’s on its way? The Swarm picks up a few years after the conclusion of the First Formic War series. Earth has begun preparing a desperate defense. The Hegemon, Polemarch, and Strategos are in place, and the newly minted International Fleet is working with corporate forces to build an armada and weapons as fast as possible. Will it be enough? And can humanity overcome the dangers posed by political machinations, careerism, international squabbles, and petty bureaucracy? The greatest threat may be ourselves. This is a solid outing, well-paced and exciting with a mounting sense of crisis, grand in scope yet human in perspective. Fans of the Ender Universe and the First Formic War series will be eager for this one—readers will find the same central characters as well as some new faces. It will be particularly satisfying for longtime fans to finally see the creation of the Battle School.

This review was first published by Booklist on June 1, 2016.

**STARRED REVIEW** There’s been a series of terrorist acts in the anarchic criminal city of Purgatory on the far side of the Moon. Damien Justus is the cop tasked with solving these crimes—but he’s a newbie ex-pat from Earth who doesn’t understand the complicated politics involved. Meanwhile, a murderer is making his or her way toward Purgatory through the back country of the Moon’s so-called “dark side” and leaving bodies in the wake. This is a smart, rollicking sf-detective-noir genre-blend with a delightfully dark and snide sense of humor. It’s formulaic in the best way possible—a good cop, a corrupt system, powerful forces at play—with excellent characterizations, first-class world building, fast-paced plotting, a main character you want to root for, and a genuinely sinister villain. While the ultimate solution of the mystery is a little pat, it’s satisfying, and the book’s ending isn’t quite what you expect. This incredibly entertaining novel is unmitigated fun to read, and is sure to be at the top of many genre readers’ favorite books of the year.

This review was first published by Booklist on June 1, 2016.

James Stark (aka Sandman Slim) is living the closest thing he can to a normal life: he works for the Sub Rosa, and he has a girlfriend and a social life (well, he’s part of an underground fight club). Then a dying angel gives him a vial of mysterious “black milk” and another angel tries to kill him for it. The Wormwood Corporation is up to no good, a kid goes missing, and too many coincidences start to pile up. His friends are in danger, Heaven is in revolt, and everyone’s soul hangs in the balance. Now Stark needs to find a way to get back to Hell . . . . The eighth entry in Kadrey’s Sandman Slim series is well paced, gritty, cool, funny, and insightful. The dialogue is whip-smart, the characters remain compelling, and Stark continues to evolve in surprising ways. Not only is this a welcome return for existing fans, it’s also easy for new readers to follow along. This fun and rewarding book has an ending that will leave readers eager for the next one.

This review was first published by Booklist on April 1, 2016.

Coop is a thief who specializes in thaumaturgical snatch and grabs. His cohorts are poltergeists, strongmen, telekinetic lockpickers, and women who can make things invisible—one of whom is his ex-girlfriend. But wait, there’s more. Like an angel who was supposed to destroy the Earth after the Flood but botched the job, cops who specialize in “peculiar science,” gangsters, bumbling demon-worship cults, vampires, werewolves, zombies, and monsters of all ilk, all living in secret in a surreal version of L.A. And it seems that everyone wants Coop to steal them a very special box. The Everything Box is what you would get if Carl Hiaasen and Kinky Friedman had written Good Omens (1990) instead of Neil Gaiman and Terry Pratchett. It offers a similar setting of the real world blended with the paranormal—complete with a looming apocalypse—but the writing has an edgier, racier sense of humor. The story is fast, the twists keep turning, and the resolution is satisfying. This strongly PG-rated, ribald romp is a good set-up for a potential new series.

This review was first published by Booklist on March 15, 2016.

Kailen’s Twenty were legendary, undefeatable mercenaries present at some of the most important events in the history of the Old Kingdoms. Now, three decades after they disbanded, someone is killing them off, one by one. Set in a brutal world of subtle magic, clashing empires, and commercial interests, this is an impressive fantasy debut. Selby demonstrates the command of style, character, plotting, and world building of a seasoned author. The tale switches between the first-person perspectives of multiple characters, and Selby’s writing style changes appropriately. The nonchronological narrative is woven through with flashbacks. Selby creates a robust world that’s entirely believable, but he doesn’t get distracted showing it off. He lets the story live in this world in a deeply effective way. Snakewood has much in common with the work of Joe Abercrombie and should appeal to his fans. As a story about the violent world of warriors and magic, Snakewood is reminiscent of Matthew Stover’s Acts of Caine series, but without the science fiction elements.