This review was first published by Booklist on February 1, 2020.
After almost driving themselves to extinction, human beings have colonized the local solar system and the nearby Trappist system, using an anti-aging drug to extend their lifespans. Every year, the military branches, which protect civilization, compete in the Boarding Games. This year, the Near-Earth Orbital Guard hopes to finally win against the Navy—if their newest recruit can be whipped into shape in time. Max Carmichael, a child of the most influential family on Earth, has broken with tradition and enlisted in the NeoG. But there’s a vast conspiracy afoot that threatens genocide on a massive scale. The big mystery establishes high stakes and the exciting competition sequences of the Games make this book a surprisingly fun read, but this is a character-driven story above all else. Every character is someone readers will enjoy spending time with, and exploring the characters’ relationships is the heart of the tale. Aside from a few stereotypical villains, no one is a bad guy. Wagers’ first book in the NeoG series is an unexpected and refreshing twist on military science fiction.
This review was first published by Booklist on January 1, 2020.
**STARRED REVIEW** After the fall of Earth, humans colonize other planets, some of which are at war while host to increasing numbers of refugees, with the destitute living in urban squalor while the rich flee to their mansions. Flying between worlds on relativistic space ships are Trader families, who experience months as years pass for the planet-bound. Hisako Sasaki, an unauthorized child on the planet Gaul, is contracted to marry the Trader Adem Sadiq before she’s even born. Hisako grows up knowing her future is out of her control, while the Sadiq’s discover an ancient lost ship with technology that could change everything. There are elements of a thriller story here, but this isn’t about plot. Instead, it’s a social and family drama with a focus on character study and world building. The novel is conceived around a set of questions: How would the time dilation of relativistic travel affect civilization? How would space travelers relate to the planet-bound? How would it alter our perceptions of history and our responsibilities to one another? Greene builds his immersive and socially complex world on these deeply human questions. The Light Years is a story of resistance and acceptance, anger and forgiveness, and the costs of our actions.
This review was first published by Booklist on November 15, 2019.
Mainstream histories of sf and fantasy cover the main eras, the big names, the important publications and events. But there’s more to any history than just the mainstream. There are obscure authors, forgotten works, and a plethora of what might have beens, plus the myriad ways sf and fantasy have influenced and been influenced by art, design, architecture, fashion, music, and fandom. Lost Transmissions explores some of these often-overlooked pieces of the history of sf and fantasy. How would the genre be different if Jules Verne had successfully published the first novel he submitted? If William Gibson’s screenplay for Alien III had been made, or if E.T. had been a creepy goblin movie? From the sf fashion of David Bowie’s Ziggy Stardust, to the Afrofuturism of Janelle Monáe’s music, to Soleri’s architecture of arcology (best recognized as Luke Skywalker’s dome house on Tatooine,) to contributed essays by a roster of luminaries reflecting on their favorite obscurities, this is a fascinating enrichment of the history of sf and fantasy.
This review was first published by Booklist on November 1, 2019.
**STARRED REVIEW** Multi-award-winning Uncanny Magazine has been the preeminent publisher of speculative short fiction, poetry, and nonfiction since 2014, and is renowned for offering its contributors tremendous creative freedom. Authors published by Uncanny are a roster of the greatest sf writers of the present era: Neil Gaiman, N. K. Jemisin, Charlie Jane Anders, Seanan McGuire, Naomi Novik, and many, many more. The works in this anthology are the best of the best in the genre, from science fiction to fantasy to weird tales to poetry, representing a stunning diversity of styles and perspectives, from the Hugo award-winning “Folding Beijing,” by Hao Jingfang to a female empowerment parable, “Monster Girls Don’t Cry,” by A. Merc Rustad. Language and family tie into technology and posterity in “Restore the Heart to Love,” by John Chu; “Clearly Lettered in a Mostly Steady Hand,” by Fran Wilde visits a nightmarish circus freak show; “And Then There Were (N-One),” by Sarah Pinsker is what happens when Being John Malkovich meets Agatha Christie. This anthology contains a gluttonous surfeit of narrative riches. The works in this collection are inventive, gorgeous, occasionally difficult, and immensely rewarding. Truly, the best of Uncanny.
I had been talking about the Two Spirit and queer authors and characters, the Indigenous settings and perspectives, the prefatory material which lay out the history and politics and which argue the need for stories like these—the important context surrounding these stories—and my friend noticed I wasn’t talking much about the stories themselves. Thus, his question.
I fumbled a bit to answer. Yes, some are good, a few excellent, some just OK. I voiced my belief that there’s benefit to reading stories like these even if they’re not good: I appreciate these works because of what they can teach me, how they challenge my assumptions and show me very different experiences and understandings of the world.
But the truth is also this: I don’t always know whether the stories I read are any good. I’m not always qualified to assess the quality of these works.
This review was first published by Booklist on September 15, 2019.
Science fiction starts with science and extrapolates possibilities. But how, and how often, does science fiction influence the course of science and technology? Levy does an admirable job of teasing apart this relationship by exploring the history of science fiction and tracing the origins of many ideas which came to dominate science over the years: H.G. Wells envisioned the atom bomb and tanks, for example; credit cards were predicted in a work written in 1888; and Star Trek gave us ideas for 3D printing, telecommunications, and health apps. In some cases, science fiction explores scientific ideas before they enter the mainstream. In others, people who grew up on science fiction work to make those stories a reality. Much of what Levy illuminates is already well-known but there are some surprising connections here, too. Most notably, he argues that telepresence (as portrayed in the movie Avatar) belongs to the evolution of videophones. He presents information in an accessible and engrossing way, highlighting many forgotten classic works of science fiction. This work should appeal to anyone who’s interested in the history of science, technology, and science fiction.
This title has been recommended for young adult readers:
YA/S – special interest: High school and even advanced middle school readers with an interest in science fiction and technology will appreciate this accessible book.
This review was first published by Booklist on September 1, 2019.
An order of nuns ministering to colony worlds in the outer reaches of human settled space. A living spaceship that might have a will of its own. Conflict between Earth and the outer systems. A controlling church. A deadly plague and a conspiracy with galaxy-spanning consequences. Sisters of the Vast Black uses these elements to explore questions of faith and free will, the conflicts that arise between obedience and conscience, complicity and refusal, and how people move on from tragic pasts. It offers a compelling blend of religious and moral challenges, science and politics. Awfully heady stuff to tackle in a novella, but Rather succeeds with intelligence and empathy. Her world building is exceptional, especially in her descriptions of the little details on the sisters’ living ship. Her characters are authentic and developed with compelling back stories. What stands out the most is Rather’s lyrical and assured style. Her language invites the reader in and sustains a sense of wonder within a challenging world. This is a beautifully written work.