Book Review: Remembrance of Earth’s Past by Cixin Liu

Remembrance of Earths Past by Cixin Liu

The Three-Body Problem by Cixin Liu
(translated by Ken Liu)
Tor, 2014

The Dark Forest by Cixin Liu
(translated by Joel Martinsen)
Tor, 2015

Death’s End by Cixin Liu
(translated by Ken Liu)
Tor, 2016

In my review of Leviathan Wakes by James S. A. Corey, I compare reading it to reading Asimov’s Foundation when I was a kid.

I’m going to make the same comparison with the “Remembrance of Earth’s Past” series by Cixin Liu. Reading this awakens the same sense of discovery and amazement as reading Asimov when I was a child. Liu gifts us a story that’s astounding in scope and vision, with some of a biggest Big Ideas in science fiction.

The English translations of Liu’s work boast an admirable level of stylistic polish. There’s a spare and refreshing lyricism at work here. I’m as impressed with the quality of the translations as I am with Liu’s story.

This is what science fiction should be. I’m in awe of Liu’s imagination and accomplishment.

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Further Ruminations on Jerusalem by Alan Moore

Reader comments left on a copy of Jerusalem by Alan Moore

Reader comments left on a copy of Jerusalem by Alan Moore

Photo from the ReBound event on March 21, 2017, hosted by the Young Friends of the Kansas City Public Library and KCUR’s Generation Listen KC at the recordBar in Kansas City, Mo.

Image © Kansas City Public Library. Used with permission.

After writing the single longest and most exhaustive review I’ve ever written for Jerusalem by Alan Moore, I find I still have more to say.

I’ve had conversations now with a few other people about this book and discovered that I’m in a minority in my opinion. Most people I know couldn’t stand it. Most didn’t finish it. Mostly, they found it too long, too wordy, too self-indulgent. The general reaction is that Moore desperately needed an editor to reel him in.

I get that. On some level, I feel this way, too. I spent quite a lot of the book convinced that he was over-indulgent and lacking writerly discipline.

However, as others have stated (and I quote Library Journal here), Jerusalem is “[m]ore a work of art than a novel.”

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Book Review: Take Us to Your Chief and Other Stories by Drew Hayden Taylor

Cover of the book Take Us to Your Chief and Other Stories by Drew Hayden Taylor
Take Us to Your Chief and Other Stories
by Drew Hayden Taylor
Douglas & McIntyre, 2017

This review was first published by Booklist on March 3, 2017.

Taylor is on a mission to create science fiction written by indigenous First Nations authors. That alone makes his collection of short stories important. These nine stories are highly entertaining, the quality is high, and his range of tone is impressive. The First Nations perspective gives an interesting take on the “first contact” theme, paralleling the arrival of Europeans to the Americas. Most of these stories are humorous, but there are a couple serious ones thrown in. Many have a 1950s, Silver Era, silly pop-movie feel, which lends them a nostalgic patina. Unfortunately, the retro feel of these stories is at odds with the progressive goal of the author, coming across a tad dated and frivolous. The collection is a fun and quick read, but as entertaining as these stories are, such a slim volume isn’t quite enough to satisfy. Still, readers will be looking for more to come from Taylor.

Book Review: Avengers of the Moon by Allen Steele

Cover of the book Avengers of the Moon by Allen Steele
Avengers of the Moon
by Allen Steele
Tor, 2017

This review was first published by Booklist on March 3, 2017.

In Avengers of the Moon, Steele resurrects Captain Future, a hero of classic pulp serials created by Edmond Hamilton, and retcons him for the twenty-first century. This all-new origin story introduces Captain Future and his crew to a new audience, pits him against his archnemesis, and sets up a continuing series. It’s a classic rollicking adventure story—exciting and entertaining, with enough callbacks to the original to appeal to existing fans. Steele states in his afterword that his intent is to recapture the magic of old pulp SF, but he doesn’t completely succeed. This isn’t the fault of the book—it’s well written, appropriately pulpy, and fun to read. It’s just that pulp doesn’t necessarily work with a modern audience. The pulp era grew out of a sense of wonder; audiences then possessed a wide-eyed credulity. Modern readers aren’t that credulous anymore. Without that innocence and idealism, pulp SF is an awkward fit. Still, this book is worth reading for the fun of it.

Book Review: Jerusalem by Alan Moore

Jerusalem by Alan Moore
Jerusalem by Alan Moore
Liverlight, 2016
Cover art © Alan Moore

The greatest challenge about reviewing Jerusalem by Alan Moore is summarizing what it’s about. This isn’t a traditional novel and it doesn’t deliver a normal story. The plot is meandering, almost vestigial in some sections. Setting is paramount—language, tone, atmosphere, characters: all of these matter far more than mere plot.

I’ve come to think of this book as being akin to the Bayeux Tapestry—a sprawling and artistically audacious account of a place and its people. It’s a love letter to a neighborhood as only Moore can write it.

In general terms, it’s a quasi-fictional history of the Boroughs—the poverty-stricken Northampton neighborhood in England where Alan Moore was born, raised, and still lives—from ancient times through the near future, not told in chronological order, and actively eschewing the concept of linear narrative. It’s the story of a unique family who lives there through several generations, and various persons associated with them. It’s a story of the afterlife and eternity and the Universe. It’s a story about life and death, art and work, obligation and free will, ghosts and angles and builders and demons. Visions and dreams are as real in this world as reality.

If I had to categorize this book, I’d probably call it fantastical realism. Everyone is going to shelve it in their SF sections. But it’s more than just these—it’s philosophical, historical, political, religious.

It’s holy and profane, poetic and pedestrian, beautiful and gritty. It’s deeply human. It’s hard to explain. You really need to read it.

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Movie Review: Rogue One: A Star Wars Story

Rogue One: A Star Wars Story, directed by Gareth Edwards
Rogue One: A Star Wars Story
Directed by Gareth Edwards
Screenplay by Chris Weitz & Tony Gilroy
Story by John Knoll & Gary Whitta
Produced by Lucasfilm, Ltd.
Distributed by Walt Disney Studios, 2016

I finally saw Rogue One: A Star Wars Story this weekend and I’m very happy with it. I enjoyed it immensely and I have many thoughts about it now.

I should point out that I never had much to do with the Expanded Universe—I read a couple of the novels but I never paid much attention to it. I’ve also never watched any of the animated series (“Star Wars: The Clone Wars” or “Star Wars: Rebels”). My reactions to Rogue One come purely from the perspective of how well it fits in with the other movies.

**WARNING: SPOILERS**

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Book Review: The Wrong Dead Guy by Richard Kadrey

Cover of the book The Wrong Dead Guy by Richard Kadrey
The Wrong Dead Guy
by Richard Kadrey
Harper/Voyager, 2017

This review was first published by Booklist on January 9, 2017.

Coop and company are back for their second supernatural adventure (after The Everything Box, 2016). This time, they’re facing a reanimated mummy bent on world domination (and finding his old girlfriend) while Coop gets acclimated to his new role in DOPS. There are inept suburban animal-rights activists, a crooked used-car salesman, machinating DOPS agents, a possessed museum guard, crooked old mystics, a professor transformed into a cat trapped in a television mounted on a tentacled robot, a forgotten department in the bowels of DOPS with a strange box in it . . . Kadrey fans have plenty of his signature ridiculousness to sink their teeth into: Douglas Adams meets Clive Barker in a James Ellroy setting. This is smart, witty, and biting comedy. There’s a bit of a sophomore slump: the stakes of the conflict are lower than its predecessor, and the side characters feel somewhat perfunctory. Still, all the elements come together and work well, and Kadrey at slightly less than his best remains one of the best out there. This new series remains worthwhile.

Book Review: The Passage by Justin Cronin

The Passage by Justin Cronin
The Passage by Justin Cronin
Ballantine Books, 2010

On paper, there’s a lot I could criticize about The Passage by Justin Cronin.

The plot isn’t terribly original: a virus is unwittingly unleashed by the government which turns people into something very much like vampires. Mr. Cronin presents the standard well-intentioned scientist whose work is hijacked by the military (which, as expected, doesn’t go well). There’s a roster of bad guys, a cop with a conscience, and a Chosen One whose arrival can save mankind. There’s even an oracle of sorts.

It’s a man-made apocalypse story built on fairly generic story tropes. We witness the moment it all goes wrong and then spend the rest of the novel living in the post-apocalyptic world of the few survivors.

We’ve seen all this before. I Am Legend, zombie movies, The Walking Dead, et al. The ending offers a faint wisp of Buffy the Vampire Slayer. Even the hive-mind wrinkle the author incorporates into his vampires is a familiar idea.

But none of that is a problem. None of it is a weakness. None of it feels derivative. This is one of the best renditions of all these ideas I’ve read.

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Book Review: Last Year by Robert Charles Wilson

Cover of the book Last Year by Robert Charles Wilson
Last Year
by Robert Charles Wilson
Tor, 2016

This review was first published by Booklist on November 15, 2016.

People from the twenty-first century have opened a portal in rural Illinois that allows them to visit 1877. They’ve built a tourist resort called the City of Futurity, where wealthy individuals can experience the past and locals can catch a sanitized glimpse of the future. Jesse Cullum is a native of 1877 who works for the City. A man with a violent history, he meets and falls for a woman from the future. Meanwhile, someone is smuggling future technology into the past and sowing discord toward the City. Soon enough, it all starts to fall apart. There’s a lot going on in the latest from Hugo Award–winning Wilson. It’s an alternate-history novel, a time-travel story, and a whodunit all in one. It explores parallel universes, corporate greed, and culture clashes while critiquing the entitlement of modern society and our tendency to romanticize the past. Wilson wrangles all these threads with skill and vividly renders the reality of the past. The story is well paced, builds to an epic crisis, and makes for a satisfying read.

Book Review: Into the Guns by William C. Dietz

Cover of the book Into the Guns by William C. Dietz
Into the Guns
by William C. Dietz
Ace, 2016

This review was first published by Booklist on October 13, 2016.

Into the Guns begins a new near-future military sf series from Dietz. In 2018, several meteors strike the earth and decimate civilization, and the American government is left in turmoil. Members of the armed forces are left stranded without command. The southern states secede from the union, a second Civil War looms, and a new president struggles to rebuild. The plot’s not very original, but it works. Dietz’s depictions of military operations and hardware are detailed. That alone is a major appeal factor. He delights in throwing around military jargon, although he’s inconsistent about defining some of the terms for readers unfamiliar with the argot. Unfortunately, characters are sketches more than fully rendered. Yet this will be a worthy purchase, given Dietz’s many fans.