I Hate Saying “I’m Sorry”

I’ve done customer service in a lot of different jobs and in every one, a typical exchange goes like this:

Angry Customer: I need you to do [something completely unreasonable]!

Customer Service Rep: I’m sorry but I can’t do that.
*or*
I’m sorry but that’s against policy.

For a long time, every time I heard a customer service rep say, “I’m sorry but…,” I cringed. I hated hearing it. I tried never to say those words. Why?

Because I’m not sorry. Because I haven’t done anything wrong. Because my employer hasn’t done anything wrong. We’re not at fault.

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My Customer Service Philosophy: Lessons from a Ten Year Old

I was asked recently what my customer service philosophy is. I responded with this:

The customer isn’t always right but they’re usually not wrong.

What do I mean by that?

I mean that some behavior is simply unacceptable. Customers don’t have the right to abuse staff, to expect preferential treatment, to demand we make exceptions just for them. Basic human decency and respect are still required. I won’t tolerate threats to the safety of staff members.

However, in my experience, when someone is acting out there’s usually a reason for it. There’s usually a need or a want that isn’t being met—and that need or want is usually legitimate. Problematic behavior arises when someone can’t figure out how to get what they need or want. And while the behavior may be a problem, this underlying reason can be productively addressed.

A ten year old boy taught me this lesson.

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I Hate Poet Voice

We all know what “Poet Voice” is, right? A poet reads their work aloud and they take on a vocal style that’s flat, slow, monotonous, weighted down with cringing self-conscious significance.

I harbor an intense dislike of Poet Voice. I’m happy to see rigorous analysis backs me up on this.

An Algorithmic Investigation of the Highfalutin ‘Poet Voice’ by Cara Giaimo, posted on Atlas Obscura, May 1, 2018

Still, it bothers me when people critique Poet Voice primarily by comparing it to regular conversational voice. Poetry shouldn’t be treated like normal speech—it’s an elevated use of language and recitation should reflect that. Poetic recitation should be more performative, more crafted, distinct from casual conversation. Each word of a poem is significant and must be heard and understood.

The problem isn’t that Poet Voice is unnatural or different from conversational voice. The problem is that Poet Voice is boring.

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Experience & Context

Some years ago, when I was still doing theater work in Chicago, I had gotten off a job late one night and found myself craving a pint of ice cream. So I stopped by a corner market on my way home. Another gentleman—a complete stranger to me—arrived at the same time I did. We approached the door just in time to see the proprietor throw the lock and change the sign to “Closed”. He shrugged at us, pointed to the sign listing the store’s hours, and walked off.

I was disappointed and somewhat miffed. The other guy proceeded to throw a spectacular tantrum.

I stood there nonplussed, unsure what to do. Once this strange man had stopped yelling and stomping around, I asked him, “Are you OK?” (Inane question, I know—clearly he wasn’t—but it was late and I was tired and hungry.)

He proceeded to tell me a Tale of Woe for the Ages. All about his terrible, horrible, no good, very bad day, very bad week, very bad month. Everything that could go wrong in this guy’s life had gone wrong. All he wanted now was some potato chips—crunchy bites of salty comfort. Is that too much to ask?

So I took him to a local bar and bought him a beer.

He apologized for making such a scene. He knew it was a ridiculous overreaction. I assured him I totally understood. And I did understand: for me, having the door locked in my face was annoying. For him, it was ONE MORE THING in a long line of crappy things that had happened to him lately.

For him, it was the one thing too many.

This experience taught me something important:

Context matters.

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2017: My Year in Reading

All of the data that follows was collected by me throughout the year using a combination of Google Sheets and Google Calendar. All seasonal and monthly calculations are based on the date each title was begun. Average days to read titles are based on the number of days actually spent reading each title, and not necessarily the full span from begun date to completed date.

A complete list of all the books I read in 2017 is at the bottom of this post


First things first: I’m a hypocrite.

In 2016, I wrote a post about the importance of reading more widely in genres I don’t normally read. I even posted lists of titles and swore to spend some amount of time in 2017 reading them.

I didn’t. I didn’t read any of them.

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Classic SF & Welcoming New Readers

On November 28, 2017, the author Seanan McGuire posted an excellent tweet thread about classic SF and entry points for readers new to the genre. She addresses crucial issues of diversity and inclusion. This perspective is important. Please take the time to click through and read it.

Conclusion: classic SF will always be important but it’s not a good way to bring in new readers.

Introducing new readers to science fiction can be tricky. It’s a challenging genre to learn and get used to. I decided years ago (long before I became a librarian or knew anything about readers advisory) that it doesn’t work to get people started in the genre with classic Asimov, Clarke, et al.

I’m ashamed to admit my reasoning at the time had nothing to do with the narrow Western cultural male whiteness of the work. It was because of the writing and the science.

Consider Isaac Asimov.

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Poetry and Nonsense

I was talking to my parents recently about some of the poetry I’ve written in the past few years. I mentioned how I’d developed a fascination with ways to integrate technology into poetic experimentation. I explained how much I enjoy Google search poems. I told them how I created a method of generating something akin to found poetry, using my smartphone’s auto-suggestion typing feature.

My mom said she’d like to read my tech-based poems, so I sent her links to my first auto-suggestion poem and a Google search poem I built (both written for National Poetry Writing Month in 2016).

My mom responded to these poems with this: “Is playing with words poetry in and of itself?”

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On the Economic Value of Human Beings

This.

Immigrants Shouldn’t Have to Be ‘Talented’ to Be Welcome by Masha Gessen (New York Times, September 6, 2017)

If immigration is debated only in terms of whether it benefits the economy, politicians begin to divide people into two categories: “valuable” and “illegal.” When countries make people illegal, the world comes apart. When we agree to talk about people as cogs, we lose our humanity.

I hate how our culture has decided that economics is the only thing that matters. That every aspect of our society is assessed predominately—if not exclusively—in economic terms. Education, healthcare, the environment, arts and humanities, science and engineering, technology, civil rights, immigration and refugees, and on and on and on…

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Thoughts in the Wake of a Total Solar Eclipse

Eclipse shadow through tree leaves, over half occluded. Downtown Kansas City, August 21, 2017

Eclipse shadow through tree leaves, over half occluded. Downtown Kansas City, August 21, 2017.
Image property of John Keogh

In the early afternoon on August 21, 2017, a total solar eclipse traversed the United States from Oregon to South Carolina. In Kansas City, morning storms cleared and blue sky opened just in time to view the event, from the first sliver of moon shadow through totality. It’s the only total solar eclipse I’ve witnessed. I’m struggling to put the experience into words.

I started studying astronomy in 2nd and 3rd grade. In 3rd grade, we had to write an essay about what we wanted to be when we grew up and the title of mine was “When I Grow Up I Want to Be a Cosmologist.” Space was my first fascination and my first love.

I’ve seen partial solar eclipses in person. I’ve seen images of total eclipses and they’re beautiful. Astronomically speaking, eclipses aren’t that rare or complex. They happen pretty often, simple mass body physics.

So I expected the total eclipse to be spectacular, gorgeous. I expected it to be cool and interesting. I expected to be fascinated by it and by the effect it had on insects and animals. I expected to completely geek out over it.

I never expected it to be so powerful.

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