All of the data that follows was collected by me throughout the year using a combination of Google Sheets and Google Calendar. All seasonal and monthly calculations are based on the date each title was completed. Average days to read titles are based on the number of days actually spent reading each title, and not necessarily the full span from begun date to completed date.
In advance of my annual “Year in Reading” summary, I thought I’d post a list of the books I read this year that I liked least. Or, more accurately—the books that disappointed me the most. Because reading isn’t just about what you like—it’s about what you don’t like, too.
Inclusion on this list doesn’t necessarily mean the book is bad. There are titles here which are very good—they just weren’t my thing. Some titles make this list because I had hoped for more from them. Other titles are on this list because I genuinely believe they’re poor work.
This is not a definitive ranking. Titles are listed in alphabetical order by author.
Normally, we talk about diverse books in terms of the ethnicity and cultures of characters, authors, and story traditions. What speaks to me about the two articles linked above is the call to increase the diversity of the genres I read. The call to “read outside [my] own taste and interest” (from Bookriot), to read things I dislike or that scare me to try (as per the RA for All post).
This is definitely the book my siblings and I read as kids. As fragmentary as my memories of it are, I was shocked at how familiar it felt to read through it again as an adult. I found that I remembered almost every page as it was revealed to me. And I was delighted to discover that the copy I received via ILL came from a public library in my home state. Seems appropriate.
The Trigan Empire was a comic that ran from 1965 to 1982, published in Britain by Fleetway, with Butterworth and Lawrence as the primary writer and artist. It ran as a serial installment in an educational magazine focused on science. The hardbound novel-length book my siblings and I read was an omnibus collection of the earliest stories from the comic, published in the United States in 1978 by Chartwell.
When my siblings and I were in early grade school at the beginning of the 1980s, we discovered a strange book in the children’s section of our local public library. It was a heftier tome than we’d ever seen on the shelves, oversized and thick—close to 200 pages. Barring encyclopedias, we’d only seen books this big in the adult section or on our parents’ bookshelves at home.
But the best part was that this strange book was a comic book!
Today we’d call it a graphic novel but we hadn’t heard that term back then. We checked it out, brought it home, and each read through it a couple of times.
My memories of reading this book are difficult to properly describe: fragmentary, dissociative, surreal, and dreamlike all come close. I recall that my in-the-moment experience of reading it as a little kid was similar: surreal, dreamlike, dissociative, fragmentary. I had a difficult time keeping the narrative strung together as a cohesive whole in my head.
It was the most challenging thing I’d read up to that point in my life.
To commemorate the 400th anniversary of the death of William Shakespeare, the Folger Shakespeare Library is sending 18 original copies of the First Folio on a tour of the United States. First Folio! The Book That Gave Us Shakespeare will exhibit the Folio in each of the 50 states, Washington D.C., and Puerto Rico.
So it’s pretty much all Shakespeare, all the time around here. Being a library, we like to emphasize the influence that Shakespeare’s writing had on the course of literature and language in the English-speaking world.
One fact that lots of people love to cite is that Shakespeare invented over 1,700 words and phrases in the English language. This fact tends to be presented as though he sat down and made them up out of whole cloth (a la Lewis Carroll).
I find this scenario unlikely. I consider it far more likely that Shakespeare was merely the first (or the first that we know of) to write down many words and phrases that were already being used in his era.
I’ve been rather silent on this blog lately. That happens sometimes. In this case, I’ve been worn out from working on projects around my house. Totally worth it, though, because I now have (among other things) a whole floor-to-ceiling wall of built-in bookshelves!
I’m also excited to announce that I’m now reviewing for Booklist Online. My primary focus for them will be adult SF with an occasional nonfiction title thrown in. So… not all that different from the kind of books I review here.
In my continuing quest to find my way into and through the world of Readers’ Advisory…
Sometimes people will ask me how to get started on a particular author. They haven’t read anything by this author, but they know I have and they want to give ’em a try. They ask me which of the author’s books is my favorite, or which they should read first.
My initial impulse is to tell them which book is my personal favorite by the author. But I also know that what appeals to me might not be what appeals to them, and so my favorite might not be theirs. Learning which is my personal favorite might tell them something about me, but it might not be their best entrée into the author’s body of work.